We worked with our friends at Penelope to bring these superhero’s to life.

A title sequence for the web-based show “House of Creators” on Facebook. In partnership with Mr Wonderful.

We collaborated with Studio C to create this opener video for Fiber Connect 2023, which was a big hit with the attendees! It consists of stock video and custom graphics drawn from the organizations style in a highly kinetic edit.

In collaboration with Penelope Studios and Laspata DeCaro, we created this fun piece for Americana Manhasset. Over a week long shoot, we created on-set animatics as well as helped direct the shoot for our motion graphics needs.

We once again teamed up with Studio C to help bring this spot for Mercy College to life. We explored using simple shapes and visual metaphors to create a fun spot!

Sound Design and Mix by Mekanical

A typographic-driven piece we created for Century 21 with Leroi.

For this project we helped out the in-house team at Neiman Marcus with some effects for this edit.

Disclaimer: we are huge Yankees fans here, and the opportunity to work with the YES Network on this promo packages was our dream gig. These spots were shown the 2009 and 2010 seasons to highlight upcoming games during the baseball season. The 2009 spot won an Emmy award, and the 2010 was nominated.

We helped Mr. Wonderful with this Labor Day spot for Rooms to Go.

Parts and Labour and Studio C collaborated to create these edits for Konica Minolta. One is being used in Sprint Stadium, and the other is a piece advertising their ‘Blue Diamond’ program.

We designed this promo kit for ESPN's College Basketball programming. The players were redrawn frame by frame in Illustrator to use in this spot, which was handed off to a client as an editable promo kit.

We teamed up with PENELOPE and LASPATA DECARO to help turn their Holiday Season look book into an animated piece for Americana Manhasset.

CNBC needed an illustrated spot for their show 'The Coffee Addiction.' We created this dynamic, textured spot using solid, bold shapes animated in an energetic fashion to engage the viewer. This spot was nominated for a 2012 BDA.

We created these clouds to Earth animations for Uniqlo. They consisted of finding images that we could rotoscope and composite together to create a seamless landscape that the camera could fly into without sacrificing image quality. They were presented in-store at Uniqlo shops around the globe.

We worked with Kampfire to integrate these 3D graphics into this spot for Verizon.

We teamed up with our friends at Penelope and Doubleday & Cartwright to create this fun, DIY-style animation for Converse and Instagram Stories.

For the Softbank / T-Mobile merger, we created these, fun, stylized frames for an explainer video. The merger didn't go through, so unfortunately we didn't get a chance to animate these superheroes.

A piece created for Morristown Medicals ‘Growing Forward’ campaign.

We created this series of four animations for the I.I.I.

Two in-store pieces we created with Penelope.

We teamed up with our friends at Unbound Media Works to help create the graphics for this piece. The illustrations are based on ones originally created by Mother Cabrini herself.

A small collection of the many web-based animations we helped create with the agency Revolution Digital.

We worked with our good friends at Penelope on this series of 24 idiosyncratic videos for Penn State University. Our role included design, animation, and compositing.

For the last year we've worked with our friends at Revolution Digital to animate a wealth of content for Danimals. This content was spread across social media sites such as Facebook, Instagram and Snapchat. Here is a brief montage of some of that work.

A piece we created with Penelope for the Shadow and Bone series premiering on Netflix.

We designed and animated these spots for social media for the NFL.

For the 2018 NFL season, we were tasked by Kampfire to create these pop-up videos to play at events at stadiums across the US. We also created the LED banners and other event graphics as well.

We worked with our good friends at Penelope to create these social media pieces for Carolina Herrera. Expertly edited by Amy Rosenberg, they serve to highlight the beauty of this seasons new designs.

In partnership with the good folks at Penelope, we’ve been helping Harry Winston create a monthly series of looping cinemagraphs for various social media platforms.

We worked with our friends at Kampfire to create this long-form promo for ‘The Love Assistants,’ which is a tie in with the Netflix film ‘Set It Up.’

A series of Zen-like promos we created for the Wildlife Conservation Society.

A series of animations we created for American Express for the 2017 US Open in NYC.

We worked with our friends at the WCS to create this tribute video to the extrodinary life of conservationist George Schaller. This video was featured at a live fundraising event for the WCS, where he was the guest of honor.

We had the opportunity to work on 'The New York Chronicles Film' with director Drew Stone. We worked with other talented motion design artists in the NYC area to provide a show package for the doc, including an open, lower thirds, and other assorted one-off graphics. It was a dream project, since we're big fans of the music here at P+L.

The film is available for purchase online.

We created the open video for the PDI 2019 sales conference with our good friends at Sefcik Productions.

A series of looping GIFs we illustrated and animated for YouTube and Twitter. The purpose of these was for the viewer to guess the artists featured in each segment. Created in partnership with Big Spaceship.

Logo explorations for 45th and Dean, A+E's in-house agency focused on branded content.

A fun, stop motion spot for Lifetime, created in partnership with Redline Creative. Our role on this project was the logo design, text, and some heavy compositing to make the effect work, as well as some cleanup on each frame.

We created this animation for the NFL ProBowl Skills Showdown with our friends at Redline Creative, which was aired on Disney XD for two weeks leading up to the event. We handled this project top to bottom, from designing the characters to animating the scenes to feel as if they're flowing into each other, on a very tight timeline and staying true to the NFL Pro Bowl brand guideline. All while making it kid-friendly. Whew!

We teamed up with production company Penelope to design, illustrate, and animate this promo for Scott Bergstrom's best-selling book, 'The Cruelty.' Working from a script supplied by Penelope, we based the look of the spot on the book cover, which is a very stark, strong design that jumps out at the viewer. We wanted to nail a 'film noir' look, with simple shapes and a lot of negative space that draws attention to the characters actions.

Two cinemagraphs we created for Amazons streaming service with our pals at Lussier. These were featured on Amazon's streaming site, as well as across social media platforms.

Working with Revolution Digital, we created this preroll series of Snapchat promos for ChapStick.

In addition to the 2015 wrap-up video, we also helped create this kit for the NFL Consumer Products division. This video shows the various productions and advertising campaigns from the NFL. All the elements were created as a template, allowing the editors full control over the content.

We helped Redline Creative with these dynamic text cards for 'NCIS' on USA. This piece was shown at the USA Upfront.

Working once again with our friends at Grand Large, we created the titles for this beautiful spot as well as some climate control, compositing and other enhancements.

Show opener we created for Alexion with our pals at Sefcik Productions.

For this fun public service announcement project for the AAHA, we mixed both live action with characters we designed for them. The characters themselves were first built as paper puppets using construction paper, and later taken apart and animated in After Effects. Below is a montage of the four spots we created for them.

An image spot for NBCs various athletic programming.

After pitching this concept for an image campaign to CNBC, we teamed up with Grand Large to create this 'proof-of-concept' spot. We shot time-lapsed footage by the Flatiron Building in NYC, designed graphic elements to animate around our speaker, and composited it all into one seamless spot.

Working with our good friends on the West Coast, Lussier, we helped them polish this Lifetime sizzle by creating text cards and a logo animation, all drawn from Lifetime's style guide. This was presented during Lifetime's upfront.

We worked with A+E to create the end logo parade for this Upfront, spread across three screens. Since the screens were different sizes, getting the logos to animate in presented a bit of a challenge, but the viewers were wowed by the end effect. We also provided some light compositing work throughout the spot.

John Oliver owns NYC in the open for his new special on Comedy Central.

Our friends at A+E Networks needed some help on various graphic elements for their IC16 conference held in Stockholm, Sweden. We played a part across the board collaborating with other content creators designing video elements, RSVPs, website templates, and more. Below is a small sampling of our efforts.

For this spot for OWN sponsored by Aveeno, we created a growing, animated garden. The plants were all illustrated, animated and tracked into the live footage.

For this project, we took all the dirty language and cuss words said by drivers and pit crew during a race and brought it to life on the track. Puritan ears be warned.

The Most Interesting Man In The World has a few choice words to get you excited for Cinco de Mayo. We created all the titles and interstitial graphics.

A+E Networks was sponsoring a concert for Unity that was broadcast across their networks, and needed some title cards for this quick turnaround spot.

A promo for History's latest event programming, World War II in HD. We were responsible for designing and animating graphics that were inserted into uprez'd and colorized World War 2 footage taken by troops on the ground. This project was nominated for a 2010 Emmy award.

The worlds top tennis stars are given a particle treatment in this spot for the Australian Open.

We again teamed up with Lussier to work on this sizzle for History. We were responsible for the title cards and logo animations, as well as styling the footage and slowing it down for dramatic effect. This anthem, named 'Rise', broadcast on H.

We partnered with House of Trim to create these animations for DVF. The client wanted these to have a stop-motion, low fi look, so they were shot at 60fps and selected frames were picked from the video file to bring it together. A true example of 'let's fix it in post,' a ton of compositing and roto work was done to really make these shine!

NFL star Micheal Irving was developing his show for Spike, which centered on a group of hopeful athletes competing for a spot to try out for the Dallas Cowboys. Below are our style frames that we pitched, which were themed around the larger-than-life aspect of being a NFL Star.

We were commissioned to create a series of :30's for Audible, with the purpose of informing viewers of some lesser-known features of the platform. Illustrations by Brendon De Suza

An architectually inspired logo design and end card for Animal Planet's 'Restoration Wild.'

In another collaboration with Grand Large, we flew out to LA to work with Misty May-Treanor and Abby Wambach to shoot spots for the 2012 Olympics. This spot with Misty May was a mix of practical and digital effects, and healthy dose of fishing wire!

A PSA for TV Boss and the National Cable & Telecommunications Association.

Uniqlo wanted to create these 'cinemagraphs', which are stills with a subtle, attention-drawing amount of animation, for use on their in-store monitors. The effect may look simple, but a massive amount of compositing was needed to keep these loopable and seamless. Below is a short montage of some of the pieces.

Storyboards for a :15 teaser for the 2010 MTV Music Video Awards.

We created the title cards and end page for this promo for Undead Nightmare.

We teamed up with Black Spot to create this open for the Four Js food app / Web cooking tutorials.

After watching fellow motion graphics artist and friend Yui Uchida start up the "Smilefaucet" project, and us not submitting anything since it's start, we figured it was about time. The theme of this last DVD is "Thank You", so I decided to take an everyday thank you gesture, deconstruct it and turn it on it's head.

We designed the logo and end page for this sizzle reel for Pool Master, used during Animal Planets 2014 Upfront. Mixing watercolors with architectural elements, the end page was a smash hit with our client!

We were commissioned by NYC-based design studio Mr. Wonderful to refresh these in-store ID's for Sony.

A few storyboards we designed for VH1's "Divas" cross-promotion with Old Navy.

We created all the graphics, branding and edit support for this video series for the Urbanization Project. This video is one in a series that has been distributed around the globe to inform viewers on the benefits of this project.

Our buddy Kenzo asked us to help bust out some quick 3D enviorns in a jiffy for a commissioned piece for G-Shock Watches. After seeing the rough cut, I couldn't say no.